enfant terrible | Performance Artist

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FIRST STREAMING - VIDEO CAMERA PERFORMANCE

[live] Persona is a performance art project situated at the intersection of dance, technology, and experimental media. The work explores digital embodiment and performative identity within the context of real-time livestreaming. It culminates in a camera-based, live-streamed performance titled The End of the Beginning, presented via Twitch. In this work, the camera functions not merely as a recording device, but as the artist’s stage — transforming the stream into a site of presence and metamorphosis.

Developed during a six-month artistic research scholarship, the project features Ave Vanilla — a screen-based live persona and enfant terrible. The work has reached over 17,600 viewers worldwide, across Germany, Poland, Japan, India, Brazil, Indonesia, Bangladesh, Pakistan, Russia, and the USA.

The project remains open to reinterpretation as a hybrid format — adaptable to exhibition, video installation, live transmission, or site-specific performance settings.

Ave Vanilla - camera performance, Berlin 2025 - [Live] PERSONA project. A person wearing a grey hood and a glossy black mask with exaggerated facial features, under pink and purple lighting.
Ave Vanilla - live persona performance art project, Berlin 2025. A newcomer wearing a hooded mask, pink underwear, black tights, and silver boots, singing into a microphone in a neon-lit room with purple and pink lighting.
Performance artist Ave Vanilla, interdisciplinary art project [Live] PERSONA, Berlin 2025. Ave Vanilla taking a selfie with an iPhone, showing an Enfant Terrible with blonde hair on the screen, against a pink and purple background.
Performance by Ave Vanilla, first livestream, Berlin 2025. Enfant Terrible is a new pop star wearing a mask and holding a microphone in a dark scene with purple and pink lighting, casting shadows on the wall.
Performance art - Ave Vanilla exploring online streaming, Berlin 2025. Ave Vanilla holding a smartphone with an image of her own face on the screen, against a colorful pink and purple background.
Ave Vanilla during a livestream performance, Hybrid Art Format, Berlin 2025. A shirtless Enfant Terrible with tattoos, wearing a hood and chains, holding a microphone, surrounded by purple and pink lighting. Self-portrait.
Performance by Ave Vanilla, The End of the Beginning - livestream, Berlin 2025. A new     	star wearing a black top, Tommy Hilfiger underwear, and black lycra leggings, holding a 		 	microphone, illuminated by pink and purple lighting.

WHY [LIVE] AVE VANILLA NOW?

We live in a time when streaming platforms and constant surveillance — from CCTV to reality shows — reshape our sense of visibility. The body is no longer confined to the stage or studio; it is continuously observed, archived, and commented on in everyday life.

[live] Ave Vanilla questions the boundaries of streaming as an artistic medium.
Can a performance that repeats, transforms, and embraces error become a counterpoint to voyeuristic forms of constant monitoring? Can livestreaming open spaces of intimacy, vulnerability, and transformation — rather than mere spectacle?

OPEN CHANNEL – WEB-CAM VIDEO ART

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